Click on the picture to download our free flip-book programme, which can be printed, or read on your device.
Our special thanks go to:
The Arts Society Greater London Area
- The Boris Karloff Charitable Foundation
The D’Oyly Carte Charitable Trust
- The Fidelio Trust
- Friends of HGO
- The Thistle Trust
- David Ure
for their support for this production.
Just announced (16 November) – two nominations for Off West End (“Offie”) awards for our production!
CAST TITLE
Name of Cast Member A
Dates
CAST
DATES
PRODUCTION
Coming soon
Director
CONDUCTOR
Oliver Cope (8, 9, 10, 13, 15, 16, 17 November)
George Ireland (14 November)
Associate Director
Assistant Director
Alex Milne
Production Manager
Lewis Champney (for eStage)
Set and costume Designer
Lighting Designer
Movement Director
Fight Director
STAGE MANAGER
Florence Carruthers
Costume Supervisor
Bea Viña
Language Coach
Repetiteur
SURTITLE OPERATOR
HGO Orchestra
Coming soon
Orchestra 1 – Name
Orchestra 2 – Name
Orchestra 3 – Name
Orchestra 4 – Name
Orchestra 5 – Name
Orchestra 6 – Name
Orchestra 7 – Name
Orchestra 8 – Name
Orchestra 9 – Name
Orchestra 10 – Name
Violins
Eliott Bougant / Theo Elwes
Viola
Elise Pettersen Watten
Cello
Carolina Lopez Del-Nero
DOUBLe-BASS
Emily Green
Flute/Piccolo
Christopher Michie
oboe
David Price
clarinet
Meline Le Calvez
BASSOON
Hugh Wooley
HARP
Alicja Cetnar
Timpani
Murray Sedgwick
REVIEWS
“Not only one of the most impressive productions I have yet seen from this company: it is one of the most impressive of the work I have seen … excellences of staging, performance and ensemble.”
Mark Berry, Seen and Heard International
⭐⭐⭐⭐⭐“This glorious production of Tchaikovsky’s masterpiece will burnish HGO’s already glittering reputation for nurturing young talent.”
David Winskill, Hampstead and Highgate Gazette
⭐⭐⭐⭐ “This imaginative version directed by Eleanor Burke for the admirable HGO… the tormented duet between Tatyana and Onegin at the climax of the opera was all one could have wanted.”
Owen Davies, Plays to See
“A marvellous cast without a single weak link… Jolyon Loy, as handsome and handsome-voiced as anyone could wish for… to have a big-voiced Tatyana of Hasmik Harutunyan’s quality was luxury indeed… Best of all was Matthew Curtis’s ringing Lensky, one of the most movingly sung I have heard… “
Hugh Canning, Operalogue
“A thrillingly direct Eugene Onegin from HGO… Hasmik Harutunyan (Tatyana), Matthew Curtis (Lensky) and Jolyon Loy (a very relatable and modern Onegin) all sang and acted with thrilling directness, in a venue that gave them nowhere to hide. It was the sort of night that made you want to go out and drag in an opera-sceptic, just to watch their prejudices being blasted away at storm force.“
Richard Bratby, The Spectator
” Eleanor Burke crafted an entertaining and ultimately moving show … With a good ear for this often almost balladic score, Oliver Cope conducted a very skilled chamber group … Arina Mkrtchian’s sonorous Olga … Everyone performed solidly, with manifest commitment: a fine experience.”
David Shengold, Classical Voice North America
Coming soon
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PRODUCTION IMAGES
Photography by Laurent Compagnon
VIDEOS
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