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HGO Poppea

Poppea

L’Incoronazione di Poppea, an opera by Monteverdi

DATES

12 – 21 MAY 2017

VENUE

JACKSON’S LANE

 

Click image to download  the flipbook programme, which can also be printed. If you choose to download, please make a donation to help support HGO. Thank you.

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Presenting Monteverdi’s great masterpiece, L’incoronazione di Poppea, in an innovative new production developed by Simon Iorio. 

 

For HGO, performing this wonderful work is a very important milestone, particularly given that we coincide with the 450th anniversary of Monteverdi’s birth on the 21st May. This production also marks the first time that HGO will perform an opera in its original language (other than English), together with the first time that we will perform with surtitles. This is an indication of our pledge as a training opera company to give our singers a complete experience of performing opera, as well as giving our audiences a presentation of this work with not only the authentic music with period orchestra Musica Poetica, but also the authentic text.

 

Claudio Monteverdi’s L’Incoronazione di Poppea, the third of his three surviving operas, rightly occupies an elevated position in the history of the genre. It is a masterpiece of text setting and musical invention, at a time when opera as we know it today was very new, and certainly not performed in anything like the same way. Monteverdi was blessed to be able to set a particularly fine libretto, written Giovanni Busenello, perhaps the first great opera librettist, and Da Ponte’s literary forefather.

 

“The opera is a story about loss of all reason in a quest for power” says Director Simon Iorio. “Our characters exist in a world of lust and intrigue. Poppea is a woman who is completely aware of her own superficial beauty and sexual appeal, knowing exactly how to harness it in order to achieve her own ambitions of power and success. She focuses her attention on the young Nerone, an impetuous, vicious, spoiled and indulgent man. The pair make for a deadly combination to all who surround them.  Our moral compass is Seneca, a philosopher and advisor to Nerone, desperately trying to live up to his ideals and beliefs whilst being utterly compromised.”

 

Director, Simon Iorio with Musical Director, Oliver John Ruthven and period orchestra Musica Poetica

CAST

La Fortuna

Jessica Thayer

All dates

La Virtu/Damigella

Angelica Conner

All dates

Amore

Charlotte Levesley

All dates

Ottone

Collin Shay

12, 14,17,19, 20 eve

Veronique Rapin

13, 16, 18, 20 mat, 21

Poppea

Clara Fournillier

12, 14,17,19, 20 eve

Grace Carter

13, 16, 18, 20 mat, 21

Nerone

Leslie Davis

12, 14,17,19, 20 eve

CN Lester

13, 16, 18, 20 mat, 21

Arnalta/Famigliare 1

Stephanie Wake-Edwards

12, 14,17,19, 20 eve

Emma Lewis

13, 16, 18, 20 mat, 21

Ottavia

Eira Sjaastad-HuseBecca Marriott

12, 14,17,19, 20 eve

Béatrice de Larragoïti

13, 16, 18, 20 mat, 21

Seneca

Benjamin Schilperoort

12, 14,17,19, 20 eve

Rob O’Connell

13, 16, 18, 20 mat, 21

Valletto

Helen May

All dates

Liberto/Lucano/

Littore/Famigliare 2

William Branston

All dates

Drusilla

Jenni Harper

12, 14,17,19, 20 eve

Elen Lloyd Roberts

13, 16, 18, 20 mat, 21

PRODUCTION

Director

Simon Iorio

Music Director

Oliver John Ruthven

Assistant Director/Choreographer

Caitlin Fretwell Walsh

Associate Music Director

Ryaan Ahmed

Set and Costume Designer

Ele Slade

Lighting Designer

Amy Clarke

Stage Manager

Rosie Cassell

REVIEWS

Andrew Benson-Wilson

 

The Idle Woman

 

Mary Grace Nguyen

 

David Winskill for the Ham and High

 

Charlotte Valori for Bachtrack

 

Sebastian Taylor for the Camden New Journal

 

Enza De Francisci for Plays To See

 

Isobel Clarke for Early Music Today

PRODUCTION IMAGES

Photography by Laurent Compagnon

VIDEOS

Coming soon.

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