Michelle Bradbury’s design credits include: semi staging projects of ‘Le Grand Macabre’ directed by Peter Sellars at The Barbican and at The Berlin Philharmonie in Berlin, and ’The Fairy Queen’, at The Barbican for The Academy of Ancient Music directed by Daisy Evans, ‘L’incoronazione di Poppea’, (costume) directed by John Ramster for The Royal Academy of Music, ‘Fyer Fyer’ (set and costume) at Wiltons Music Hall on behalf of The Concordia Foundation, in which she worked alongside school children from the Tower Hamlets to assist in her set realisation, ‘Back at 12.15’, (set and costume), for The Concordia Foundation, directed by John Savournin, ‘La Boheme’, (set and costume), Merry Opera Company, directed by Chris Cowell, Opera Scenes, (costume), for The Royal Academy of Music,’The Marriage of Figaro’, (set and costume) ‘The Barber of Seville’,(costume) ‘Kiss Me Figaro’(costume) and ‘Messiah’, (costume), Merry Opera Company, all directed by John Ramster.