Laura Coppinger’s role highlights include Die Frau / Erwartung (Schönberg) with Orchestra Vox, Zerlina / Don Giovanni (Mozart) with Oxford Alternative Orchestra, Baroness Irene / La Vera Costanza (Haydn) with New Chamber Opera, Cunegonde / Candide (Bernstein) with Barricade Arts, Second Woman / Dido and Aeneas (Purcell) with Glyndebourne Youth Opera, Mabel / The Pirates of Penzance (Gilbert and Sullivan), Pallas / The Judgement of Paris (Weldon), and L’Amour//Nymphe//La Sylphide / Les Génies (Mademoiselle Duval). In 2024 she was placed second in the John Kerr Award for English Song; in 2022 she was a finalist in the Elgar/Spedding Memorial Lieder Competition and achieved 2nd place in the Charles Wood International Song Competition, winning the Song Prize.

Laura is a graduate of the Royal Conservatoire of Scotland, where she held a scholarship, Dunedin Consort’s Bridging the Gap 2022/23, Leeds Lieder Festival Young Artist Programme 2024, and Brighton Early Music Festival’s Emerging Artist Scheme 2025/26.